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Archive for the ‘Process’ Category

Filed Under (Art, Experimental, Life, Process) by Marc Moss on 16-03-2008

2335189089_d36756e4d0_m 4 in 1 Minute


4 in 1 Minute

Originally uploaded by love not fear

The last drawing class I took was in 10th grade. Hard to believe, I know, but I’ve just never really drawn much. I like to doodle, but drawing realistically has never been my forte. Part of it was simply not practicing, but I’ve always been pretty uninterested in creating realistic art.

Recently, though, I attended a life drawing session at the Missoula Art Museum. Every Wednesday night artists gather in the basement of the MAM and draw a nude model. I decided to give it a shot.

I arrived with a graphite pencil, a charcoal pencil, a brown “liquid paintbrush” pen and a Sharpie. I wanted to draw using a variety of media, maybe even mixing all types on one page to see what happened.

The session began with a series of 30 second gestures. The model would hold a pose for 30 seconds, the moderator would say change, and the model would strike another pose for 30 seconds.? While there was free paper available for us to use, I wanted to use the vellum paper I had brought with me, but I didn’t want to waste it. I decided it would be fun and interesting to draw each pose with a different utensil all on the same page. The above is the first drawing from the 30 second gesture series.

2335188633_9abb6cb102_m 4 in 1 Minute


We moved on to five minute poses, and I actually tried to draw the model as realistically as I knew how. I couldn’t remember anything from my drawing class, though, and we never even drew figures, always still lifes. I began to become frustrated.

Still. I was encouraged to see that my drawings seemed to be getting better. Not by much, but definitely better.

By the time the 10 minute poses began, I was deep in frustration. I stopped drawing before the 10 minutes were over and wrote, Huge frustration at not being better at this. Want to run out of the room now. Go outside.

2335188231_2807731c3b_m 4 in 1 Minute


10 Minutes

Originally uploaded by love not fear


I’ll probably draw again, but not before practicing on my own for a while. The experience was a good one. Trying something new and being humbled by the drastic difference in what I expected I would be able to achieve and what I actually achieved.

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Filed Under (Art, Process) by Marc Moss on 07-03-2008

2315981962_9092c68c67_m Wires


Wires

Originally uploaded by love not fear

i beat my machine it’s a part of me it’s inside of me
i’m stuck in this dream it’s changing me i am becoming

the me that you know he had some second thoughts
he’s covered with scabs he is broken and sore
the me that you know he doesn’t come around much
that part of me isn’t here anymore

all pain disappears it’s the nature of my circuitry
drowns out all i hear no escape from this my new consciousness

the me that you know he used to have feelings
but the blood has stopped pumping and he’s left to decay
the me that you know is now made up of wires
and even when i’m right with you i’m so far away

i can try to get away but i’ve strapped myself in
i can try to scratch away the sound in my ears
i can see it killing away all of my bad parts
i don’t want to listen but it’s all too clear

hiding backwards inside of me i feel so unafraid….

–NIN, The Becoming

I’m using the wires to attach the glass to the metal.

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Filed Under (Art, Process) by Marc Moss on 06-03-2008

2314982959_e173c8ed24_m Metal Sheet 1 (opposite side)


Metal Sheet 1 (opposite side)

Originally uploaded by love not fear

Got the metal cut, and a camera to record the results. Am going through letters again. Scanning the letters I rip up. Not sure how I feel about this yet. Cleaning glass, cutting wire, hammering holes with the awl, affixing glass to metal. Playing with the paints, too. As well as experiments with other rusty things.

Stay tuned for progress.

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Filed Under (Art, Experimental, Process) by Marc Moss on 14-01-2008

2188350715_149a7bbb14_m Leaving and the Left Prototype 2


Leaving and the Left Prototype 2

Originally uploaded by love not fear

The Original Gimp was over at my house the other night as I was completing another prototype. At his suggestion, I made one without wood, but instead used metal. His reasoning for the switch is that wood is too warm, but metal is cold, and the pieces seem to have a cold theme. I don’t think the theme is cold. Rational, yes. Clinical, maybe. While all loves are different, looking back with a clear and rational head into past relationships to learn what worked and what didn’t is a positive way to both honor what went before while building towards a successful and long-lasting relationship.

The process lends itself to asking questions like, I wonder what she’s up to now? Asking the questions is fine, but making the call, dropping the email or doing a Google stalk is not and would probably be perceived as disruptive.

I’m still trying to figure out how to apply all of these ideas to the actual finished artwork. I’ve figured out that I want to use metal as the background, and I think I also want to use wire to attach the glass to the metal, as showing in the new prototype. A problem that I tackled while making this prototype is how to attach the glass sandwiches to each other. I want the binding method to be transparent — no glue showing. I tried doing this by spreading the Superglue evenly across the glass, but it still dried somewhat opaquely. I know that Superglue makes a glue specifically for glass, so I need to go pick me up some of that.

Todos

    Get glass bonding Superglue
    Get metal scraps
    Cut metal scraps
    Read new email and letters

Oh, right. That reminds me. I found a new folder of letters and also figured out how to import all of my archived .mbox emails into a local mail client.

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Filed Under (Art, Experimental, Process) by Marc Moss on 12-01-2008

2185074512_5ef1d8d17c_m Prototype Leaving and the Left 1


Prototype Leaving and the Left 1

Originally uploaded by love not fear

I finished the prototype last night. I’ve never approached making art in this way — making a prototype. Typically I go with first draft=final draft. But this series is important enough to play around a bit and figure out what works and what doesn’t. I’ll explore below what I’ve learned logistically during the process thus far.

I generally like the way it turned out, but there are some obvious imperfections. I’m anxious to make another prototype to see how what I’ve learned from this one can be applied.

Visually it looks good. I know I need to do a few things:

  • Spread the superglue evenly on the glass so that the sticking points are not visible
  • Go back into the electronic communique and even out the way text is distributed
  • Mix the colors more evenly before applying them to the glass — I wanted to see if the paint organically blended
  • More sandwiching of glass

I’ll learn more about the process as I do it, I’m sure.

A few questions I’m asking myself need to be worked out.
Should I quarantine each person’s sentiments per piece? For this one, I mixed letters from two different individuals with the idea that these types of emotions are universal. I’m thinking that maybe it doesn’t work within the piece, and that I should isolate feelings from individual writers. Still include both love and loss in one piece, just keep it focused on one person per piece. That will mean making more than one piece per person.

The inclusion of paint comes from a suggestion that another artist gave me as I explained the idea to him, and I like the idea. I’m interested in what others have to say about how to execute this series. Please share any ideas in the comments.

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Filed Under (Art, Process) by Marc Moss on 12-01-2008

2185017970_01f823ddb4_m To Forget is All I Know


To Forget is All I Know

Originally uploaded by love not fear


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Filed Under (Life, Lists, Music, Process) by Marc Moss on 02-01-2008

CD Hell

It used to be that I’d do it once a year, and I always dreaded it.  I had five of those CD binders because I’d thrown away all of my jewel boxes.  I traveled a lot, and this was in the days before most of my music is digital.   I’m talking about, of course, the sorting of the CDs.  Mine were sprawling out of their cases and scattered all over one of the shelves in my living room and generally contributing to a look of disaray.

I loaded up iTunes with two episodes of This American life and set to work.  One good thing, I told myself, is that I’ve since consolidated CDs to get rid of three out of the five binders, so the sorting should be less.  I got all of them at least placed in the correct alphabetical piles, but actually alphabetizing them is for another day.

Meantime, I found a handful of mix CDs that I haven’t listened to in years.  I’ll load ‘em up in the car stereo and give them a spin over the next few days, but I thought you might appreciate some of the titles (not all mine).

Do *you* have any good mix CD titles?  Let me know in the comments.

    1. Caffeine + Nicotine
    2. Nicotine + Caffeine
    3. Fallen Angels
    4. Return of the Grievous Angle
    5. Namaste
    6. Strip Mall Hell
    7. Absence of Faith
    8. Tall and Smiley
    9. Polishing Windows in a Car Wreck
    10. Melancholy Madness
    11. Acid Lust
    12. Porchsitting in Missoula
    13. Get Wrecked! Music for Dancing

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      Filed Under (Art, Life, Process) by Marc Moss on 28-12-2007
      photo by ChadBrooks on Flickr

      346286158_81775a0324_m Thirty Six Art Ideas to Execute in 2008

      I’ve been shifting through old letters in preparation for The Leaving and the Left project, about which I’ll be writing more soon (it’s coming along).  As is often the case when embarking upon big “to keep” or “to toss” projects, I got sidetracked.  But it’s OK.  It seems as if it’s a productive diversion.  So, I’m sorting through old scraps of paper, lists and scribbled thoughts as I clear away some of the junk I’ve been collecting over the past year. I was inspired to collect some of the thoughts here in one place, so I present to you Thirty-Six Art Ideas to Execute in 2008.

      1. Collage in the style of Russian propaganda artists re: low wages in Missoula
      2. Print spam inbox for use in collage
      3. Possibly incorporate the spam from #3 above into a mixed media piece (probably)
      4. Draw with ink freehand in Moleskine and go over with pastels or watercolors
      5. Steel wool and fire for performance art
      6. Huge crane - images of beauty in a junkyard
      7. Collage:opposites
      8. Brainstorm list of 100 opposites for #7 above
      9. For an opening exhibition - pillow fight at the show
      10. Invite attendees to come in pajamas
      11. Ah, yes, a pajama party show, now what art to make for it? Come back to this.
      12. “merely a comma” –comma has text re: Iraq war in it. Dead American soldiers overlayed with upsidedown American Flag Mixed media piece
      13. A whole series on The War? (without being too overbearing or preachy. How to do this?)
      14. TITLE FOR PAINTING: Psalm 129
      15. TITLE FOR PAINTING: Never Get out of the Boat (where did I get this?)
      16. TITLE FOR PAINTING: Chasing Windmills
      17. TITLE: Ebb and Flow
      18. Shoot paint containers with a gun in order to create paintings (need to be out in the woods for this one. Also — get some guns.)
      19. idea spawned by McMurphy: “pecking party”: the other guy “resist” (with rabbit/wolf/chicken/feathers and blood
      20. TITLE: This train is on fire
      21. TITLE: Footprints in Water
      22. TITLE: The Bang and the Clatter
      23. Find lat/Long for every place I’ve lived. Do Illustrator piece on it
      24. Blog less
      25. Remove ads from blog?
      26. Kill blog filler
      27. Open/Closed - film it, display feed of opening on site, post recording to YouTube
      28. Face copies
      29. Re: #28 - donated copy machine @ opening
      30. re #28 - handbills with instructions for copying one’s face Shopped onto a facecopy, details on backside
      31. Tracing with Sharpies over a lightbox, like Dex
      32. More drawing/ doodling
      33. Use doodles as jumping off points to major works (I know, everyone already does this. I don’t.)
      34. Paint as realistically as possible from photographs (see comment from #33.)
      35. Deconstruct photos for collages
      36. Buy film for all old cameras — see what happens.

      Originally, I was shooting for a list of 100. I’ll experiment more with lists of 100 later, but for now, this is a good start. And no, I won’t just add to this list.

      If you want to donate anything to help me achieve any of these projects in 2008, please fell free by clicking the PayPal button below. Even a quarter would be great.

      pixel Thirty Six Art Ideas to Execute in 2008

      Thanks, and have a great weekend.

      Yes, I realize blog references are excluded, so the list of 36 is incomplete. It was a brainstorm for cryin’ out loud. :)
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      Filed Under (Art, Life, Process) by Marc Moss on 13-12-2007


      The Leaving and the Left (sketch 1)

      I’ve been thinking about an art project of snippets of old letters under stacks of sandwiched glass mounted on wood. Details aren’t worked out yet, but here are some initial sketches of how the glass might be laid out, along with some notes. More as I progress on this. Doing data mining tonight.

       

       

      The Leaving and the Left (sketch 2)

      when no one is talking and all is silent…
      you can hear the crickets in the yard
      rubbing their wings together to fill the uncomfortable silence…. [poem from an IM back in 2005]

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